Wednesday, February 28, 2007, 8:00 pm
Salle Redpath — Université McGill
3461, rue McTavish [métro Peel], Montréal, Québec
Tickets: 514-398-4547
Coproduction MNM / Cappella McGill / Orpheus Singers
The music of yesterday and today come together in a concert featuring Peter Schubert conducting both Cappella McGill and The Orpheus Singers — groups that have been bringing unusual works to life for over 25 years.
Eighteen-century composer William Billings meets John Cage while the sixteenth-century Claude Le Jeune shares the stage with Olivier Messiaen and early and late Ligeti: all the ingredients for a fascinating encounter that reaches beyond geographical boundaries and centuries! Cage was inspired by Billings’s New England Psalm Singer (1770)! Messiaen composed his Rechants as a tribute to Claude Le Jeune. Isabelle Panneton drew inspiration from Machiavelli’s Prince. Jon Wild set anonymous, thirteenth-century texts. Chris Paul Harman refers to the celebrated Es ist Genug by Bach. Finally, Ligeti’s Lux Aeterna can be viewed as a creative revival of Renaissance compositional techniques.
The human voice has truly stood the test of time.
John Cage, Hymns and Variations
Olivier Messiaen, Cinq Rechants (1949) (extract)
twelve mixed voices
Rechant 1, 4
Chris Paul Harman, Es Ist Genug (2007) (premiere)
Jon Wild, Ic mun wax wode (2006)
Isabelle Panneton, Le Prince (2004)
György Ligeti, Éjszaka és Reggel (1955)
György Ligeti, Lux æterna (1966)
a capella choir
György Ligeti, Inaktelki nóták (1953)
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